Liblary – Libla

Mondays can often at times be a drag. A new day and a new week usually comes with a stack of work, along with longing for the weekend. This was the same for me, however that all changed today, when I got a copy of Liblary by Scandinavian artist, Libla.

Based in Finland, Libla (real name, Timmi Artturi Mäkelä) is an accomplished musician, knowing a wide string of instruments, from Bass to Keyboard. A fan of all things retro, Libla, is a big fan to the throwbacks of the gameboy as well as other great retro consoles. Starting out as full chiptune artist with his breakout EP, Liblary, he plans to release a lot more material in the near future.

So any who…

let’s start with this review!


As is customary, I began Liblary with the opening track, Max Speed, and what a great song it is. Libla showcases his strengths with this song, making sure that the bass line, drums, cymbals, everything works to his advantage, with the lead especially, which he really flexes out, running up and down the keys with precision. I also liked the punchiness of his style, not as noisy or grunge as usual chiptune (like chipzel), but clear and bright.

The second song, Drifting Spaceships was nice lead on from Max Speed, with the lead slowly ascending and descending. The curve ball is the breakdown, with the Egyptian lead. It was really cool, but perhaps a bit too out there.

Restricted Area was a fantastic song, really capturing the feel of something off limits. The groovy leads and style really made think to some of the game soundtracks I had heard eons ago, such as, Theme Hospital and even Worms. The complete change in the style was a welcome addition, Libla obviously experimenting pushing his ideas.

Moving through the rest of the album, sadly The Dance Floor, kinda missed the mark, however, superheroes really packed a punch due to being short and sweet. Lastly, Laser beams was a great send off, though I would’ve included the introduction with the rest of the song. However that said, it is probably one of my favourite songs on the album, with the structure and progression is extremely neat.

Overall I had a good time listening to Liblary and it showed real potential as being Libla’s first album into Chiptune.

I feel in the future he should focus more on doing songs like Laser Beams and keep the beats going as well as the structure. I also wished he included my robot voice because, it was probably one the best I’d heard in a long time! If you liked it, you can get the EP on bandcamp for a measly €1! So please support Libla, so we can continue the spread of new chiptune artists around the world!

Buy Liblary via Bandcamp!

Check out Libla on Facebook

Check out Libla on Soundcloud

Kanashimi – JellyBear

This Friday I decided to talk about someone who is completely new to the chiptune scene. I’m thinking continuing this every Friday, as I really would like to give my support to the artists who really trying to get a leg up in the world right now.

ANYWAY LET’S BEGIN! 

I recently bought this EP, partly due to wanting to support his beer money, but mainly down to the awesome relaxing vibes that came from JellyBear’s producing. Although we’re nearly breaking into springtime, listening to this song kinda makes me think we’re already there  (dammit why can’t it come sooner). Here’s to looking forward and seeing the daffodils sprout.

There are plenty of good songs ranging from a wide paradigm of different styles such as chiptune, piano keys and even breakbeat. Seems to me breakbeat is on the rise with chiptune that, sounds like something I really should keep an ear out for! The overall theme is quite sombre and chilled compared its artwork which is quite conflicting but also details a happy, colourful and lively energy about the EP.

The track I decided to feature is called, Kanashimi which shows off Jellybear’s talent in creating breakbeat. Whilst listening, the beats really work well in carrying the melodies of the piano, as well as balancing it out, not letting it get dry or boring. Jellybear’s piano skills also really shine out here, ringing out in an harmonious fashion.

Listen to the rest of Jelly Bears EP via Bandcamp

Follow him on twitter

Shovel Knight Soundtrack – Jake Kaufman

A couple of weeks ago, I was close to completing a game that I have been continously playing since its release on the Nintendo 3DS, the indie game, Shovel Knight. Last year I placed Shovel Knight as my game of the year. Shovel Knight had started out as a kickstarted project, gaining a vast amount of funds, procured by avid fans won over by its proposal.

During 2014, the majority of games I’d played (PC / XBOX / PS3 / WiiU / 3DS) had been close to tat, with only a few being intriguing (Super Smash Bros, Wasteland 2, Grim Fandango Remastered, and a couple more). However none compared to Shovel Knight.

There were many a reason as to why I loved Shovel Knight: it’s NES art style, the gameplay, the hidden secrets, the difficulty… however the one reason which won me over was it’s music (created by Jake Kaufman, who i’ll keeping an eye on).

Every single song was well crafted to faithfully follow the style of NES. It showed me that you could still do so much with just a tracker, and with it actually compose an epic soundtrack, to rival most AAA games. Each track suited its particular level well, the melodies capturing both the tension and struggle to had to face, with its crescendo being when you had to face the boss. God, was that hard…

Below I have picked two songs that really outshone for me whilst I have playing this game (because I couldn’t just pick one).

My first is:

In Hall The of The Usurper (Pridemoor Keep)

This song captured the level fantastically. The pace and melody and progression  is all well imagined here, and you’ll find yourself humming along to its catchiness. This is also a prime example out of the Shovel Knight soundtrack which a song clearly lays out your goal. You have a mission to defeat the King Knight, who usurped the throne from the real King of Pridemoor Keep and its up to you to take in down!

My next although I thought it would be strike the earth, (it has been my ringtone for pretty forever) however I thought I had to go with:

La Danse Macabre (Lich Yard)

The fact I chose this was that it grew on me. When I first played the spectre knight level, I found it actually harder than most levels, the song helped me learn that the level, was a place where I had to keep my guard up, especially when it came down to Spectre Knight (that bastard)! The spine tingling scary melodies were also won me over the main riff, bouncing around and acting rather ghostly.

In the end I feel the soundtrack really shaped my playtime on Shovel Knight as the idea was steadily realised and executed perfectly. Only a few games have won me over through their music (Super Meat Boy anyone?) which is why I diligently await for next one to capture my attention and hopefully soon.

Listen to the rest of the soundtrack via Bandcamp

See Shovel Knight on Youtube

Buy Shovel Knight on Steam

FYI: if anyone knows of any games with killer soundtracks, please leave them in comments below and I’ll have a play through them later!

.Mpegasus – Quixotica


 I’m typing this out Sunday, but sending it out Monday, so for the sake of sanity, let’s say this is Monday. Okay? Brill!

You’ve probably already read my previous article on cTrix who will be turning up for Manchester’s Superbyte 2015 (if you haven’t well, you’re in luck! Here’s a link). By a stroke of a coincidence, I recently found that the next guy I decided to write about is also attending the event, .Mpegasus.

To start, let me tell you a bit about him. .Mpegasus (real name, Martin Binfield) is an artist who focuses more on the electro and breakbeat side of music, each of songs delivering heavy bassie hooks, along with drum beats cutting through all that chip, with his style drawing from sounds the likes of, the classic Spectrum Console and brilliant Commodore 64 (two fantastic machines).

Hailing from Cambridgeshire, .Mpegasus has been smashing of music for over 6 years, and has built up a collection of songs under his banner, primarily Quixotica, which I came across.

When first listening to Quixotica, I didn’t really know what to expect. The opening song, Allergens took me so surprise with it’s pounding, jumping bass and through me off (I suppose I haven’t listened to enough breakbeat)! However as soon as it set in, I found myself grooving off the vibes, it’s tip-tapping rhythm sounding like echo of a tap. From then on music took an interesting turn with it’s descent into the next song, Breakdown, probably one of my favourites of the Album.

Several other key songs that I particularly enjoyed include: Different, with it’s bouncy lead intro; Fragments, it’s great uplifting melodies shining the most in the album; and Penultimately, Gauss flask, possibly the most ‘video game like’ song in the Album.

Finally, last but not least we have, JustLetGo, the longest but most progressive song out of the Album. Reasons for why this song is awesome are mainly down to the fact, that this is such an song epic to end everything, and man do I love progressive songs!

Overall it was a great (and maybe perhaps a bit too long) listen and I could definitely see where his roots came from. It also made me wonder if he’d actually thought of composing vide game music, as I think, without a doubt, his style would definitely fit in.

After listening to Quixotica I can say that .Mpegasus will be a very welcome addition to the this years Super Byte festival and I look forward to seeing him perform with chiptune’s finest.

Listen to rest of of .Mpegasus via Bandcamp

Visit .Mpegasus’ Website

Have a look at Super Byte 2015