Graz – Monolith

Hey guys. It’s been a while since I last published a review, mainly down to getting the funding secure for Chip Bit Day 18, but I’ll talk about that later. For now I’d like to review an album that I’ve been sitting on for a while now. It’s ‘Monolith’ by Graz and was released with ‘Ravertooth Tiger’.

The last time I review a Graz album was back in 2016 with ‘Ravepunk’ and that released by ‘Cheapbeats’. It was a great listen whilst feeling incredibly boppy & funky. ‘Monolith’ however is a lot different compared to ‘Ravepunk’, sounding more heavy whilst feeling darker & grittier.

The best example of these themes can be heard in the opening track, ‘Death Becomes’, which features some sinister sounds from the furious WAV channel, accompanied by the dark & deadly melody made by the Pulse channels. This melody in fact is probably one of the catchiest hooks off the album and it immediately captures you, engulfing you in a aura of death & hysteria. It’s also referenced a fair bit throughout ‘Death Becomes’, with ‘Graz’ using pieces of the melody, improvising and leading to quiet some variety in the song.

Whilst death & darkness are heavy themes throughout, ‘Graz’ also brings dubstep into the mix, heavily using the the Wav Channel to issue some great break downs. This can be heard in the track ‘Burst (Bit By Bit)’ which uses frequent ascending & descending ‘WAV voice sounds’. It’s a great unique little hook in the track, and without it ‘Burst’ wouldn’t be what it was.

Sampling is another technique used to a great extent, leading to some interesting sequences that lend themselves to the dark themes produced. Monolith’s signature track is a great leader in displaying this, with the introduction showing some fantastic techniques merging percussion and voice samples with each other. The samples are so quickly used that you’re unable to understand the meaning behind them, yet provide the necessary kick to ‘Monolith.’ Whilst the sampled sequence is interesting in ‘Monolith’, I cannot forget the WAV’s produced in the song, as the sounds & tones created are by far some of the most intriguing and deadly hooks off the album.

Graz’s album ‘Monolith’ is yet another album from 2017 that I failed to review quickly. Thankfully I made by for that and giving it the necessary words it deserves.

 ~ GRAZ ~ 

Twitter | Soundcloud | Bandcamp | Facebook | Website

 Ravertooth Tiger 

Bandcamp Twitter | Facebook | Soundcloud

If you want to follow for more chiptune music see below:

Continue reading “Graz – Monolith”

Monotony – Eternal Slumber Party

The first review of 2018 just so happens to come from the prior year. Monotony’s ‘Eternal Slumber Party’ was released during the middle of december 2017 and kindly shared by Paul of ‘Pain Perdu’. Like 2xAA’s album last year, ‘Eternal Slumber Party’ was recorded as a house set in Nanoloop 2.0, influenced by various genres; from juke & footwork, to dub, trap & progressive. Samples are also heavily used from a variety of different rappers and anime.

The majority of tracks merge seamlessly together and because of this, I’m going to do short reviews of a few tracks from a select part of the album.

We begin this review by starting on the well-named opening track, ‘Intro (Vert)’. The track instantly creates energy getting into the mix of things, with a variety of tasty arpeggios thrown about and rap samples peppered in. The strongest part from the get-go is monotony’s skill building sweet fills in the percussion. You really get feel of the footwork & trap genres here and they fill the majority of the album is colour and character.


The 2nd track ‘SiK YoShi’ acts more as a bridge between 1 & 2, as it’s very directionless. However IT contains elements of both ‘Intro (Vert)’ and the third song, ‘Fated 2b Faded’.

‘Fated 2b Fade’ is a lot more melodic in its leads, whilst being extremely rhythmic in its percussion. Both parts play off against each other nicely; the lead warm, inviting & full of attack; the cymbals & ride, always shuffling and sizzling. ‘Fated 2b Faded’ ends up by mixing into the 4th Track, ‘Attacking The Corners’ with samples of character ‘Sayuki’ from ‘Initial D’.

I’ll end this review by talking about one of my favourite parts off the album, the awesome tune, ‘No Comply til you die’, as it contains some of heaviest Nanoloop bass I’ve heard. I thought you’d wouldn’t be able to get a sound like that from the cart, however it seems ‘Monotony’ proved me wrong. I love the crunchy grind every time the track hits a peak of the bass as it really tries to tickle your ears. Due to this ‘No Comply til you die’ has pushed me to investigate this particular trick more in Nanoloop, and whether I can reproduce it.

It was ashame I didn’t have enough time to get into Monotony’s Eternal Slumber Party as a lot of the track had potential to be in the top 10! At least I’ll have the CD to blast out in the car though.

 ~ Monotony ~ 

Facebook | Soundcloud | Bandcamp | Twitter

If you want to follow for more chiptune music see below:

Top 10 Chiptune Tracks of 2017

Well who’d have thought 2017 would’ve been an interesting year! Probably a lot of us considering Trump made office, but even more so for the chiptune genre. Although 2016 had a quite few notable tracks, 2017 has seen an explosion of new and awesome tunes to dive into. So without further ado, let’s dive into it!

10 – Nuage De Lait – Pain Perdu (Bubu Remix)

We kick this countdown off with no.10 and I’ve already broken my own rules. I try not to include remixes or copies of songs, but this one by ‘Bubu’ was too good to pass up. Having already seen ‘Bubu’ play at ‘Chip Bit Day’ last year his music blew me away, so to hear this song sets a new precedent towards well produced LSDJ music. It’s fantastic blend of music which fills the void that ‘TREY FREY’ has unfortunately left.

 ~Bubu~ 
Soundcloud | Facebook | Bandcamp | Twitter

9 – 2xAA – Delta

‘Flow’ by ‘2xAA’ came out almost a year ago, but still it’s making waves in the chiptune scene. Although you need to listen to the whole album to understand its beauty, Delta is a great example of how to really use ‘Nanoloop’ to create good music. Through its use of synthy bass, warm keys and melancholy lead, ‘Delta’ shows how create a groovy house track with great results.

 ~ 2xAA~ 
Bandcamp | Facebook | Soundcloud | Twitter | Website

8 – Monodeer – Particles

Coming out towards the end of the year, ‘Particles’ is the signature track off ‘Monodeers’ long anticipated album. With its sublime use of dubstep, humble volca beats hooked up to LSDJ, it’s amazing end to an album which lives up to the hype it built up. Slow & sinister, Monodeer’s ‘Particles’ is definitely deserves to be in the top 10 tracks of 2017.

 ~ Monodeer ~ 

7 – Chibi-Tech – Tense Max Beam

For No.6 we have ‘Tense Max Beam’ from the long awaited EP ‘A mutal promise’ by ‘Chibi-Tech’. What makes this track insane is down to the fact it was made entirely on a NES, something we rarely hear people do (which is sad). Featuring a killer parts such as breakbeat drums & a screeching lead, ‘Tense Max Beam’ is a song that has made itself known throughout 2017 and is probably at the top of most people’s favourite tracks of the year.

 ~ Chibi-Tech ~ 

6 – Roboctopus – Waste LAN

Using probably the most intense & craziest LSDJ programming techniques I’ve ever seen from an artist, no.7 is ‘Waste LAN’ by ‘Roboctopus’. Just listening to this track, you can tell the amount of passion put into creating this song, making sure every little bit is absolutely spot on. What makes it even more on point is the fact that ‘Waste LAN’ uses two gameboys to give the impressive style you hear.

 ~ Roboctopus ~ 

5 – TRUTHR – Earth II

Back when ‘TRUTHR’ was released ,l ‘Brandon L Hood of Chipwin’, cited this track as one he could listen to all day. I second that. ‘Earth II’ by ‘TRUTHR’ (AKA ‘Henry Homesweet’) is soothing blend of all things ‘Commodore 64’ & ‘Gameboy’. Earth II’s main strength is its focus on sound & tone, going into realms of soundscape & chillwave. Because of this, almost every play through of ‘Earth II’ gives a feeling of euphoria, rarely heard from songs of any genre (let alone chiptune).

 ~ TRUTHR/Henry Homesweet ~ 
Website | Bandcamp | Soundcloud | Twitter | Facebook 


4 – L-Tron & Rockman – Voyager pt1

No.4 is kinda of cheating. Technically released the very end of 2016, I never really got to listen to this track, -‘Voyage pt I’ by ‘L-tron & Rockman’- till the literal beginning of 2017. That said, it’s still a big track I constantly listen to even after over a year. It begins with one of the strongest introductions of this list, immediately feeling the pump of the beat created, before going into hysterics with the ‘V cmd’. Being part of the house genre, ‘Voyage pt I’ is one of the few tracks which creatively pushes itself forward, constantly coming up with an addictive hook to keep you in the swing of things. Definitely one track I’ll gladly allow in 2017!

 ~ L-tron ~ 

 Bandcamp | Soundcloud | Facebook

 ~ Rockman ~ 

3 – DBOYD – Brightsided

I was quite late to the party with No.3, having forgotten all about DBOYD’s album, ‘Paradise’. This is all changed when I found out ‘DBOYD’ was playing ‘Squaresounds Tokyo’. So I quickly dived into DBOYD’s album ‘Paradise’, and became in love with its style and substance. ‘Brightsided’ is the standout out track off the album for me and my No.3, mainly because of DBOYD’s hectic style, which shines more than anything off ‘Paradise’. The constant go of its cheeky melodies really keeps mood up, almost as if you’re at the center of a party. ‘Brightsided’ is definitely one song I didn’t forget off my top 10 list.

 ~ DBOYD ~ 

2 – Chrome Cobra – Mocktail

I really had a hard time thinking what song I should pick off Chrome Cobra’s album for my No.2. I knew he’d be my penulimate track of the list, but every one of the songs off Mobile Swarming could actually be there. In the end I chose ‘Mocktail’. This was mainly because even though it’s the longest track off the album, it makes the most effort to keep your attention. Everything from start to finish has been crafted perfectly; the bass, melody, sound of the drums; literally EVERYTHING! As with ‘L-tron’, ‘Chrome Cobra’ has been another artist that I’ve been constantly going back to.

 ~ Chrome Cobra ~ 

1 – Pain Perdu – Balsamique

Okay No.1. The ‘piece de resistance’ I if do say so myself. ‘Pain Perdu’ have been making huge waves through the chiptune scene for the last two years and in turn creating so much hype for the album that was to come. So naturally, when ‘Nouvelle Lune’ was released, it came with huge praise. There were quite a few standout tracks, however one that pricked my ears especially was the final song, ‘Balsamique’. The melodies were spot on. The percussion was impeccable. The bass was killer. Everything was created to perfection and in doing so made my No.1 track of 2017. Well done guys!

 ~ Pain Perdu ~ 

Phew that’s the end of that! I hope you liked my top 10 for 2017 and are looking forward to what 2018 holds for us. Perhaps an album from Kojin? Only time will tell, he has to get his arse in gear first!

If you want to follow for more chiptune music see below:

Alex Lane – Titan

This is another album that has been in my possession that I’ve yet to review…until now. I first had the pleasure of meeting & hearing Alex Lane’s music back in 2016 when he first came to Manchester for the ‘ChipBattles Tournament.’ Originally from Australia but now living in Southsea, England, Alex’s style felt very classical but at the same time, came off quite technical. This was changed up however when he was featured for Chip Bit Day 17 and came up to Manchester with a midi guitar hooked up to a C64! The result was quite amazing, the sound made fuller due to the bass.

Alex’s latest album, ‘Titan’ is his 2nd to date. Released with ‘Chiptune powerhouse’, Cheapbeats it features a more refined music style compared to his previous one.

We start off this review with the opening track, ‘Chinon’ off Titan and it begins with a fantastic arpeggio, before descending into a fat, bassy melody. Just the sound coming off this instrument is enough hook you in, the playful tune from Alex walking up and down the scale, like a journey with no end in sight. As well as that, it’s slow nature allows the notes to resonate and make more of an impact, especially at the high & lows of the scale.

‘Chinon’ then slowly transcends into it’s 2nd song, the album title track, ‘Titan’. This song is the complete opposite of ‘Chinon’. Instead of being slow & soft, ‘Titan’ is hard & fast, utilising a lot of sweeping between notes as well as breaks. ‘Titan’ often feels like snappy with some bite, especially towards the ‘2:40’ mark which transcends into a heavy mixture of heavy pulse.

Although ‘Titan’ is the title of track off the album, I wouldn’t say it’s the best. I think that title goes to the last track off the album,’Ulriken’, as it’s the best of both worlds with Alex’s use of melody is incredibly on point. ‘Ulriken’ immediately begins hooking you in with a addictive sequences of chords, before going into probably one of the most catchiest tunes of the album. But Alex’s creative use of the scale never cease’s to amaze, going from strength to strength, backed up with its strong use of chords.

Out of all the albums this year, I believe ‘Titan’ has the most creative use in melody & its notes. Although the whole album is quite slow at points, I believe some of it’s best moments are during those times. I’m definitely looking towards future bassy tunes that alex creates, as each one runs seems to run shivers down my spine.

 ~ Alex Lane ~ 

Facebook | Soundcloud | Bandcamp

 CheapBeats 
If you want to follow for more chiptune music see below: